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Additional Holiday Performances at the Waldorf Astoria

November 11, 2015

Our 2015 tickets are almost completely sold-out!

Due to popular demand, we have added two additional Chamber Magic performances at the Waldorf Astoria New York on Sunday, December 27.

These additional Sunday performances on Christmas weekend offer an additional date for you to share some holiday magic with your loved ones.

Additional Performances:

December 27 (Sunday) at 2:00pm

December 27 (Sunday) at 7:00pm

Check availability and book your tickets online

We look forward to welcoming you to the magnificent Towers of the Waldorf Astoria!

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To Be a Successful Close-Up Magician You Must…

November 10, 2015

written by Bert Allerton

(published in The Magic of Sam Berland, 1986)

TO BE A SUCCESSFUL CLOSE-UP MAGICIAN YOU MUST

1. Really love magic and not do magic because you love to show off.

2. Love people to the point of sincerely being more interested in their enjoyment of what you are doing than in the effect itself.

3. Have a natural adaptability for doing magic and using your own natural style.

4. Be a salesman to the extent of giving the public what really entertains them and not using the effects that you may think are good or that you like to do.

5. Have a sense of timing which can only be fully developed by experience. This is one of the most important factors in successful presentation of close-up. Learn how to build up suspense, create surprises, and produce laughs.

6. Be a student of psychology for there are many startling and unexplainable effects that can be performed as a result of knowing what people will do under a given set of circumstances.

7. You must routine your presentation, your effects must be psychologically selected, performance-tested, and carefully arranged. The opening is most important and should break down as quickly as possible the normal dislike for magicians on the part of so many people, apparently due to unimpressive performances they have previously witnessed. Every effect must sustain their interest as a close-up magician has distractions which no stage performer encounters — music, dancing, waiters, kibitzers, etc. Like any good performance the climax or concluding effect is exceptionally important and if possible, leave ’em laughing.

8. Be a gentleman. Be careful of your manner of speech, your patter (blue material should be avoided), your dress, and your general conduct. Smile graciously and be friendly.

9. Have a sense of humor and if not naturally a comedian be able to build up situations with your magic that produce laughs.

10. And last but basically the first requirement. Be a technician, as near to a perfectionist as possible in this regard. Learn to do all your moves automatically and effortlessly so that you can project your personality and do a real selling job.

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MAGIC MENTOR MONDAY: Harry Lorayne

November 9, 2015

I once read an article about an imaginary magician’s contest. Exactly one hundred of the world’s most talented close-up magicians would be invited to compete. Each magician must stand at his own table, and a thousand laymen would freely wander the hall, gravitating toward the most gifted performer. The table with the biggest crowds at the end of the night, wins.

By the end of the night, a thousand laymen, plus the other 99 magicians, would all be standing at one table. The magician they’d be watching: HARRY LORAYNE

Harry is and always has been a dynamo – give him a deck of cards and an audience, and it’s off to the races. When he was younger Harry presented lectures to magicians that were legendary for lasting 6, 7, even 8 hours. His audiences got wrapped up in his crisp and punchy voice, his sly humor, and his rat-a-tat machine gun delivery.

If you’ve never heard Harry speak, his voice sounds like a mix between Regis Philbin and physicist Richard Feynman. It has a gravelly, old-New York quality that contrasts handsomely with his overly crisp enunciation. He speaks with a quick authoritative cadence that jumps out and grabs you by the collar. Or as he would say, “by the coll-ah.” You can take the kid out of the Lower East Side, but you can’t take the Lower East Side out of Harry.

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Malini-esque Impromptu Magic

November 3, 2015

At last, Todd Karr has published the revised and expanded edition of Martin Gardner’s seminal book, Encyclopedia of Impromptu Magic. He asked several magicians to comment on the importance of this book, for a feature story in Genii Magazine (November 2015). I was honored to share my thoughts in this feature, alongside Eric Mead, Joel Hodgson, Paul Daniels, Levent, Christopher Hart, Quentin Reynolds, Jade, and John Fisher.

MALINI-ESQUE IMPROMPTU MAGIC IN GARDNER ENCYCLOPEDIA

In the early twentieth century, Max Malini made his reputation performing impromptu tricks for members of the upper class. He sidled up to socialites and policy-makers in upscale hotel lobbies and presented a cascade of off-the-cuff miracles that compelled them to visit his ballroom show.

As I’ve modeled much of my own career after Malini (he too performed at New York’s Waldorf Astoria), I often hunt for quick Malini-esque tricks and stunts that make a strong impact on discerning crowds. Martin Gardner’s Encyclopedia of Impromptu Magic is full of such items, and I’ll share a few that have served me well.

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MAGIC MENTOR MONDAY: Jean Eugene Robert-Houdin

November 2, 2015

Welcome to MAGIC MENTOR MONDAY. In this weekly series, I introduce you to my magic mentors – people who have inspired me to become a better magician. Each Monday you’ll meet someone who has offered advice, or acted by example, to help steer my career.

Some of these people are alive, others no longer with us. Some are famous, others not so much. The beauty of mentorship is that you don’t necessarily have to meet your mentor face-to-face, nor even live during the same time in history. Many of the people who motivated me were alive a century before I was born! By reading classic books, old newspapers, and magazine articles, I’ve tracked down stories about their lives and work that continue to inspire me to become a better entertainer.

My “big three” mentors are Max Malini, Johann Nepomuk Hofzinser, and Jean Eugène Robert-Houdin. Each of these giants will be featured in coming weeks. You’ll also read about more contemporary figures like Harry Lorayne and Albert Goshman, non-magicians Danny Kaye and Sammy Davis, Jr. and even fictional characters like Willy Wonka.

How do mentors inspire? They set examples, helping us imagine how we too might solve a particular problem. By seeing the world through a mentor’s lens, we can learn more about them, and about ourselves, at the same time.

This week we’ll focus on the father of modern conjuring: JEAN EUGÈNE ROBERT-HOUDIN (1805-1871)

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MAGIC MENTOR MONDAY: “Think-a-Drink” Hoffman

October 26, 2015

Welcome to MAGIC MENTOR MONDAY. In this weekly series, I introduce you to my magic mentors – people who have inspired me to become a better magician. Each Monday you’ll meet someone who has offered advice, or acted by example, to help steer my career.

Some of these people are alive, others no longer with us. Some are famous, others not so much. The beauty of mentorship is that you don’t necessarily have to meet your mentor face-to-face, nor even live during the same time in history. Many of the people who motivated me were alive a century before I was born! By reading classic books, old newspapers, and magazine articles, I’ve tracked down stories about their lives and work that continue to inspire me to become a better entertainer.

My “big three” mentors are Max Malini, Johann Nepomuk Hofzinser, and Jean Eugene Robert-Houdin. Each of these giants is being featured in this series. You’ll also read about more contemporary figures like Harry Lorayne and Albert Goshman, non-magicians Danny Kaye and Sammy Davis, Jr. and even fictional characters like Willy Wonka.

How do mentors inspire? They set examples, helping us imagine how we too might solve a particular problem. By seeing the world through a mentor’s lens, we can learn more about them, and about ourselves, at the same time.

This week, let’s turn our attention to a forgotten master: CHARLES “THINK-A-DRINK” HOFFMAN (1896-1966)

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MAGIC MENTOR MONDAY: J.N. Hofzinser

October 19, 2015

Welcome to MAGIC MENTOR MONDAY. In this weekly series, I introduce you to my magic mentors – people who have inspired me to become a better magician. Each Monday you’ll meet someone who has offered advice, or acted by example, to help steer my career.

Some of these people are alive, others no longer with us. Some are famous, others not so much. The beauty of mentorship is that you don’t necessarily have to meet your mentor face-to-face, nor even live during the same time in history. Many of the people who motivated me were alive a century before I was born! By reading classic books, old newspapers, and magazine articles, I’ve tracked down stories about their lives and work that continue to inspire me to become a better entertainer.

My “big three” mentors are Max Malini, Johann Nepomuk Hofzinser, and Jean Eugene Robert-Houdin. Each of these giants will be featured in coming weeks. You’ll also read about more contemporary figures like Harry Lorayne and Albert Goshman, non-magicians Danny Kaye and Sammy Davis, Jr. and even fictional characters like Willy Wonka.

How do mentors inspire? They set examples, helping us imagine how we too might solve a particular problem. By seeing the world through a mentor’s lens, we can learn more about them, and about ourselves, at the same time.

This week we’ll focus on one of my favorite figures in the world of magic:

JOHANN NEPOMUK HOFZINSER (1806-1875)

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MAGIC MENTOR MONDAY: Charles Bertram

October 12, 2015

Welcome to MAGIC MENTOR MONDAY. In this weekly series, I introduce you to my magic mentors – people who have inspired me to become a better magician. Each Monday you’ll meet someone who has offered advice, or acted by example, to help steer my career.

Some of these people are alive, others no longer with us. Some are famous, others not so much. The beauty of mentorship is that you don’t necessarily have to meet your mentor face-to-face, nor even live during the same time in history. Many of the people who motivated me were alive a century before I was born! By reading classic books, old newspapers, and magazine articles, I’ve tracked down stories about their lives and work that continue to inspire me to become a better entertainer.

My “big three” mentors are Max Malini, Johann Nepomuk Hofzinser, and Jean Eugene Robert-Houdin. Each of these giants will be featured in coming weeks. You’ll also read about more contemporary figures like Harry Lorayne and Albert Goshman, non-magicians Danny Kaye and Sammy Davis, Jr. and even fictional characters like Willy Wonka.

How do mentors inspire? They set examples, helping us imagine how we too might solve a particular problem. By seeing the world through a mentor’s lens, we can learn more about them, and about ourselves, at the same time.

This week we’ll focus on the Court Conjurer:

CHARLES BERTRAM (1855-1907)

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MAGIC MENTOR MONDAY: Max Malini

October 5, 2015

Welcome to MAGIC MENTOR MONDAY. In this weekly series, I will introduce you to my magic mentors – people who have inspired me to become a better magician. Each Monday you’ll meet someone who has offered advice, or acted by example, to help steer my career.

Some of these people are alive, others no longer with us. Some are famous, others not so much. The beauty of mentorship is that you don’t necessarily have to meet your mentor face-to-face, nor even live during the same time in history. Many of the people who inspired me were alive a century before I was born! By reading classic books, old newspapers, and magazine articles, I’ve tracked down stories about their lives and work that continue to motivate me to become a better entertainer.

My “big three” mentors are Max Malini, Johann Nepomuk Hofzinser, and Jean Eugene Robert-Houdin. Each of these giants will be featured in coming weeks. You’ll also read about contemporary figures like Harry Lorayne and Albert Goshman, non-magicians Danny Kaye and Sammy Davis, Jr. and even fictional characters like Willy Wonka.

How do mentors inspire? They set examples, helping us imagine how we too might solve a particular problem. By seeing the world through a mentor’s lens, we can learn more about them, and about ourselves, at the same time.

Ready? Let’s begin with my number one greatest inspiration:

MAX MALINI

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#8 Top NYC Show on TripAdvisor

September 9, 2015

“Chamber Magic®“ is now ranked #8 (of 357) of all theater shows in New York City, on TripAdvisor. When I started “Chamber Magic®“ 15 years ago, my goal was to help raise public respect toward magic as a performing art. I wanted people to consider going to a magic show instead of the opera, or […]

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